Through the Viewfinder with @anastasiatl
“Traditionally, photographers are taught not to share their work before it’s finished,” says documentary photographer Anastasia Taylor-Lind (@anastasiatl). “What if someone steals your idea, or the work turns out completely different than what you told people it would be about? Photojournalism is all about being invisible, but I think it’s more honest to show how I work and how I make my photographs.”
Anastasia’s Instagram account stands as a deep look into her photographic process. Since October, she has been working on a long-term personal project called Negative Zero that documents population decline in 19 European countries. She’s shooting entirely on 6x6 negative film using her Hasselblad and Bronica film cameras, but by holding her iPhone above the viewfinder and making photos directly through the ground glass, what she calls “the view from my belly button,” she’s creating a whole new subset of photographs that can be published and shared instantly on Instagram.
For Anastasia, being so open on Instagram “allows me to muse on my own process. To sound things out and be encouraged. It’s a way of pondering what I’m doing.”
Her integration of digital and analog expanded to shooting video portraits when she found herself in Ukraine during the outbreak of anti-government riots in Kiev. With a custom-built flexible mount for her iPhone that attaches to the camera body, she devised a hands-free system to record video while making portraits of protestors inside the barricades of Maidan Square. Through these video portraits, we are able to watch her subjects prepare to have their portrait made: we see the slight shift in their stance, their gaze tilting, and ultimately, the precise moment Anastasia releases the shutter. These videos bring her subjects to life and provide an immediate, living connection to the images that Anastasia will release this summer in a book entitled MAIDAN - Portraits from the Black Square.