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Welcome to the Instagram blog! See how Instagrammers are capturing and sharing the world's moments through photo and video features, user spotlights, tips and news from Instagram HQ.


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How I Shoot: @darian_volkova’s Dancers

How I Shoot is a series where we ask Instagrammers to tell us about the set-up and process behind their photos and videos. For more photos and videos of Darian Volkova’s dancers, browse the #soulinfeet hashtag and follow @darian_volkova on Instagram. For more great photos and videos of ballet dancers, follow @ballerinaproject_, balletzaida and @balletbeautiful on Instagram.

"Ballet is a lightness and heaviness. Hard work in the classroom and weightless beauty on stage."

These are the words of Russian Instagrammer Darian Volkova (@darian_volkova), a dancer based in St. Petersburg who regularly takes photos and videos of her ballet friends on Instagram. “Dance has always been a part of me. More than anything because of its association with movement. I like to take pictures of dancing people: they are elegant and make striking lines.”

Darian is part of a growing community of dancers who want to share their unique and extraordinary profession with a wider audience. She started her #soulinfeet series six months ago, giving a rare insight into the life of a ballerina through video clips of rehearsals, classroom warm ups and backstage. Instagrammers such as the artist JR (@jr) have also explored the world of ballet and how to shoot dancers on Instagram through his collaboration with the New York City Ballet.

Want to learn more about how to shoot dancers on Instagram? Here are Darian’s tips:


"On Instagram I shoot with an iPhone 4S, but I love to shoot with my film camera Yashica Mat-124G, often using Ilford film.”

Vantage Point

"My ballet friends have become accustomed to posing for my Instagram shots. During rehearsal, when a dancer moves I may ask them to stay in a certain position. The human body is like clay: you can mould it. And the body of a ballerina is super soft, like plastic clay, which can be very beautiful.

"Ballet poses can look completely different depending on your point of view. If you ask a ballerina to stand in an arabesque and walk around her, providing she doesn’t move, you will get different shots and angles. Just like the little spinning ballerina in the music box. The dancer’s body creates lines which intersect and sometimes it looks open and sometimes it looks closed.

"I shoot in ballet halls. Often there are large rooms with large windows and nothing to interrupt your view—lots of natural light for the dancer’s body to catch."


"Ballerinas often like to pose for the camera. So the perfect recipe for those who want to take photos and videos of ballet dancers is simple: get the ballerina and ask her to move.

"In ballet, there is often an important special moment in the middle of a move. If you are interested in ballet, pay close attention and speak to the dancers so you know when to push the shutter."


"I like to use VSCO (iOS and Android) filters. I use the same exposure, brush and small edits for some moments on Snapseed also (Apple/Android).”

How I Shoot: Tips for Photographing Cars, with @drsmoothdeath

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How I Shoot is a series where we ask Instagrammers to tell us about their photo-taking processes. This week, @drsmoothdeath shares his tips for finding and photographing beautiful classic cars, which he’s collected in his #morninautos series.

Camera: iPhone 4

Vantage Point: Obviously I’m always across the street from my subjects, but the question is whether I can get the whole car in the frame without leaning on someone else’s car too excessively or stomping someone’s garden to a withered mess.

Shooting: I always use my iPhone camera and do most of my shooting on my bike. I generally have a planned route in my head of neighborhoods I want to explore — either areas I haven’t shot yet, or where there is a regular turnaround of parked cars. I have the advantage of living in one of the best cities for older model cars (thank you, Portland!), which gives me a lot of beautiful subjects to choose from.

While riding, I’ll slow through every intersection looking down as far as I can see on either side of the street, scanning for older cars or just a fin or headlight sticking out. Once I find a car, I’ll look directly across the street to see if I have room to get the entire vehicle in the frame. If all looks good, I’ll head down the street and set myself up. If I can’t center-up, or the shot looks funny somehow, I move on and find something else in hopes of finding the car again sometime (I’ve waited months to see a car again!). And if I climbed a hill or had to pedal hard through traffic, I may need to slow my heart rate down first by breathing slowly in and out to get the “shake” out of my hands and arms (if you don’t know what I’m talking about, run in place for a couple minutes and try holding your phone steady. Not easy eh?). I like the pic to feel as quiet and calm as possible, so I try and pass on any cars with too much going on in the background, like other parked cars.

Editing: No real editing secrets here, just good ol’ fashioned cropping, and I usually end up using the Rise filter. The only other thing before posting is finding out what the car is and what year it might be to include in my caption.

Want to share your advice for taking photos? Reblog this post and let us know in the comments! Or include a tip in the caption on your Instagram photo and use the tag #howishoot