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artthursday, swoon, art, Brooklyn Museum, art thursday,

Submerged Motherlands, an Immersive Installation by @swoonhq

To see more photos from Swoon’s Submerged Motherlands installation, in addition to photos and videos from Ai Weiwei’s “According to What?" exhibit, explore the Brooklyn Museum location page.

The Brooklyn Museum (@brooklynmuseum) is home to a new immersive, site-specific installation by Swoon (@swoonhq), a New York artist renowned for her large and intricate linoleum and woodcut prints.

The work, entitled Submerged Motherlands, transforms the museum’s fifth floor rotunda. A large tree anchors the exhibition and makes use of the space’s high ceilings and natural light while delicately sculpted scenes of people and wildlife unfold at its base.

Submerged Motherlands will remain on display at the Brooklyn Museum through August 24.


Nelson Mandela, artthursday, art,

Exploring the Nelson Mandela Statue in Pretoria

To see more photos and videos of the new Nelson Mandela statue, explore the Union Buildings location page.

In Pretoria, South Africa, a statue of the former president Nelson Mandela stands out across the skyline. The statue was unveiled on South Africa’s Day of Reconciliation, a public holiday which marks the end of racial conflict in South Africa, shortly after Mandela passed away at the age of 95.

Standing nine meters (30 feet) tall in front of the Union Buildings at the government headquarters, the bronze statue shows Mandela’s hands outstretched to show how he embraced the whole nation. Sculptors Andre Prinsloo and Ruhan Janse van Vuuren also hid a bronze rabbit in Mandela’s ear, symbolizing the haste with which they took to finish the statue.


artthursday, graced with light, grace cathedral, art, anne patterson,

Graced with Light

For more photos and videos from the Graced with Light installation, explore the Grace Cathedral location page.

This month marks the last opportunity to see Graced with Light, artist Anne Patterson’s year-long installation in San Francisco’s Grace Cathedral (@gracecathedral).

Commissioned in 2013 as Grace Cathedral’s artist in residence, Patterson strung nearly 32 kilometers (20 miles) of multicolored ribbons from the Cathedral’s vaulted ceilings. Illuminated from above and by light streaming in through the cathedral’s windows, the ribbons represent pathways of light carrying the prayers and dreams of visitors skyward.


artthursday, angel of the north, anthony gormley, art,

Antony Gormley’s Angel of the North

To see more photos and videos from Gormley’s sculpture explore the Angel of the North location page.

Antony Gormley’s massive sculpture, Angel of the North, is the largest sculpture in England. Towering over the towns of Gateshead, Tyne and Wear, the Angel weighs 200 metric tons (440,924 pounds) and has a wingspan of 54 meters (177 feet). It was built above the Lower Tyne Colliery where thousands of coal miners worked over the past three centuries. Upon erecting the sculpture in 1998, Gormley hoped his piece would convey hope during difficult times as the hard labor of the industrial age gave way to the advances of the age of information. Nowadays, thousands of tourists and Instagrammers find Angel of the North to be a source of creative inspiration as they gather to shoot the piece from unique angles and capture the work’s monumental scale.


ArtThursday, Ernest Zacharevic, Penang, Malaysia, art,

Reclaiming Penang’s Old Hin Bus Depot with Art

For more photos from Ernest Zacharevic’s solo exhibition in Penang, Malaysia, explore the Hin Company Bus Depot location page.

A reclaimed bus depot in Penang, Malaysia, is home to the first solo show by Lithuanian artist Ernest Zacharevic (@ernestzacharevic). Adorning the Hin Company Bus Depot with dozens of murals and other site-specific installations, Zacharevic challenges the distinction between decay and art in an exhibit he’s named “Art is Rubbish/Rubbish is Art.”

The show, which opened on January 17 and runs through February 14, is free and open to the public. Learn more about Zacharevic’s work here.


Robert Smithson, spiral jetty, artthursday,

Robert Smithson’s Ever-Changing Spiral Jetty

To see more photos and videos of Spiral Jetty, explore the Robert Smithson’s Spiral Jetty location page.

Over the course of six days in 1970, American land artist Robert Smithson created his greatest work: Spiral Jetty. The 1,500-foot-long (460-meter) curlicue made of basalt rock juts from the shore of Utah’s rose-colored Great Salt Lake and constantly changes with the surrounding environment. Two years after Smithson finished the sculpture, rising water levels submerged the entire artwork for decades. When recent droughts lowered the height of the lake the artwork reemerged, though its appearance had changed dramatically. The once-black rocks are now whitened by salt crystals and silt. Fortunately, Instagrammers have made the trek to rural Utah to see and capture Spiral Jetty in person while it’s still visible.


artthursday, Japan, site of reversible destiny,

Exploring the Site of Reversible Destiny (養老天命反転地) in Gifu, Japan

To see more photos and videos of the park’s abstract mazes and other extraordinary constructions, explore the Site of Reversible Destiny - Yoro Park (養老天命反転地) location page.

This week, we visit the Site of Reversible Destiny - Yoro Park (養老天命反転地) in Gifu, Japan, an exploration park created in 1995 by contemporary artist Shusaku Arakawa and poet Madeline Gins.

Just as eccentric as the name sounds, the park contains structures such as mazes, paths, mounds and hallows, which are designed to be physically disorientating. The two main areas of the park, the “Critical Resemblance House” and the “Elliptical Field,” take visitors through perception-bending courses with gigantic maps, unnaturally arranged furniture and strangely shaped buildings.


artthursday, China, Hong Kong,

Reopening an Abandoned Glass Factory for the Shenzhen Biennale

To view more photos and videos from the Shenzhen Biennale, browse the #ShenzhenBiennale hashtag or visit the Value Factory location page.

This week’s Art Thursday takes us to a port city in southern China and a hill of shipping containers. The fifth Bi-City Biennale of Urbanism\Architecture (深港城市\建筑双城双年展) opened last month with simultaneous shows in the cities of Hong Kong and Shenzhen. For the Shenzhen show in Guangdong province, the event has transformed abandoned factories into exhibitions with spiraling staircases and viewing platforms.

One of the exhibition venues at the biennale is the Value Factory—a giant, derelict glass factory with 43,000 square meters of floor area. Until 2009, the space was the production hall for the Guangdong Float Glass company, but it is now an open exhibition space producing ideas and inspiration with an elevated walkway and glowing handrails. The rest of the factory is home to exhibition spaces for the next three months with shows from cultural institutions across the globe including London’s Victoria and Albert Museum (@vamuseum) and New York’s Museum of Modern Art (@themuseumofmodernart).


artthursday, Ron Mueck, hyperrealism,

The Hyperrealist Sculptures of Ron Mueck

To view works from Ron Mueck’s current exhibit in Buenos Aires, visit the Fundación Proa location page.

Australian-born sculptor Ron Mueck has lived and worked in the United Kingdom for the past several decades, where he has gained global notoriety for his hyperrealist sculptures fashioned from fiberglass, silicon and resin. By replicating human anatomy in excruciating detail, Mueck dramatizes and explores themes of life and death through sculptures both miniature and massive.

Mueck’s latest works, which debuted in April at the Fondation Cartier pour l’Art Contemporain in Paris, France, recently made their way to Fundación Proa in Buenos Aires, Argentina. In March, the show will continue its tour through South America at the Museu de Arte Moderna do Rio de Janeiro.


artthursday, miami, lifeguard towers,

Miami’s Art Deco Lifeguard Towers

To view more of the famous lifeguard towers, visit the South Beach location page.

Miami, Florida, is famous for its Art Deco flavor and white sandy beaches, and the lifeguard towers along its coastline bring those two worlds together. South Beach and Miami Beach are both home to 29 colorful and quirky lifeguard stands that have become photo destinations for visitors to the city.

After Hurricane Andrew destroyed many of Miami’s towers in 1992, the City of Miami decided to rebuild them with flair. Architect William Lane designed and constructed the first towers and many more followed as a result of design competitions or commissions by local entrepreneurs.